Algorithm to draw a waveform - winapi

This is not a duplicate of this to draw the waveform, I 'm looking do it efficiently. Perhaps it's more an opinion-based question but I'm not sure of the best way I can handle it. I have a waveform and a set of positive/negative peaks (at first load, grabbed from the audio and cached in a peak database) for it and I am about to draw it with Direct2D.
I can draw it by:
Raw line drawing of the peaks depending on the current zoom level line by line. This ought to be the slowest method but with maximum quality.
Caching bitmaps for a set of defined zoom levels and upscaling in case of larger zoom (lowers quality) and lots of memory used especially for when lots of waveforms are loaded - this is a sequencer and I may have 100 waves loaded.
Drawing with a ID2D1Geometry created from the peaks I get. The more peaks I use in the geometry, the slowest geometry drawing I will get. The less peaks I use, the more sparse waveform I have in big zooms.
Ther's a concept in Windows 8+ called Geometry Realizations which, as I undesrtand, are semi-rasterizations of the geometry so I 'd create a few geometry realizations (exponentially scaled?) that would cover various zoom areas.
From your experience, what would be some almost-optimal performance method?

Related

Performance trade off of using a rectangular shaped texture vs. square shaped texture in Three.js material? Specifically a .basis texture

I'm wondering what the trade off is between using a texture that's 128x512 vs. a texture that's 512x512.
The texture is a skateboard deck (naturally rectangular) so I initially made the texture have an aspect ratio that made the deck appear correctly.
I'd like to use a .basis texture and read "Transcoding to PVRTC1 (for iOS) requires square power-of-two textures." on the Three.js BasisTextureLoader documentation.
So I'm trying to weigh the loading time + performance trade off between using the 128x512 as a JPG or PNG vs. a 512x512 basis texture.
My best guess is that the 128x512 would take up less memory because less texels but I've also read that the GPU likes square textures and basis is much more GPU optimized, so I'm torn between which route to take here.
Any knowledge of the performance trade offs between these two options would be highly appreciated, especially an explanation of the benfits of basis textures in general.
Three.js only really needs power-of-two textures when you're asking the texture's .minFilter to perform mip-mapping. In this case, the GPU will make several copies of the texture at half the resolution as the previous one (512, 256, 128, 64, etc...) which is why it asks for a power-of-two. The default value does perform mip-mapping, you can see alternative .minFilter values in this page under "Minification Filters". Nearest and Linear do not require P.O.T. textures, but you'll get pixellization artifacts when the texture is scaled down.
In WebGL, you can use a 512x128 without problems, since both dimensions are a power-of-two. The perfomance tradeoff is that you save a bunch of pixels that would have been stretched-out duplicates anyway.

Shading mask algorithm for radiation calculations

I am working on a software (Ruby - Sketchup) to calculate the radiation (sun, sky and surrounding buildings) within urban development at pedestrian level. The final goal is to be able to create a contour map that shows the level of total radiation. With total radiation I mean shortwave (light) and longwave(heat). (To give you an idea: http://www.iaacblog.com/maa2011-2012-digitaltools/files/2012/01/Insolation-Analysis-All-Year.jpg)
I know there are several existing software that do this, but I need to write my own as this calculation is only part of a more complex workflow.
The (obvious) pseudo code is the following:
Select and mesh surface for analysis
From each point of the mesh
Cast n (see below) rays in the upper hemisphere (precalculated)
For each ray check whether it is in shade
If in shade => Extract properties from intersected surface
If not in shade => Flag it
loop
loop
loop
The approach above is brute force, but it is the only I can think of. The calculation time increases with the fourth power of the accuracy (Dx,Dy,Dazimth, Dtilt). I know that software like radiance use a Montecarlo approach to reduce the number of rays.
As you can imagine, the accuracy of the calculation for a specific point of the mesh is strongly dependent by the accuracy of the skydome subdivision. Similarly the accuracy on the surface depends on the coarseness of the mesh.
I was thinking to a different approach using adaptive refinement based on the results of the calculations. The refinement could work for the surface analyzed and the skydome. If the results between two adjacent points differ more than a threshold value, than a refinement will be performed. This is usually done in fluid simulation, but I could not find anything about light simulation.
Also i wonder whether there are are algorithms, from computer graphics for example, that would allow to minimize the number of calculations. For example: check the maximum height of the surroundings so to exclude certain part of the skydome for certain points.
I don't need extreme accuracy as I am not doing rendering. My priority is speed at this moment.
Any suggestion on the approach?
Thanks
n rays
At the moment I subdivide the sky by constant azimuth and tilt steps; this causes irregular solid angles. There are other subdivisions (e.g. Tregenza) that maintain a constant solid angle.
EDIT: Response to the great questions from Spektre
Time frame. I run one simulation for each hour of the year. The weather data is extracted from an epw weather file. It contains, for each hour, solar altitude and azimuth, direct radiation, diffuse radiation, cloudiness (for atmospheric longwave diffuse). My algorithm calculates the shadow mask separately then it uses this shadow mask to calculate the radiation on the surface (and on a typical pedestrian) for each hour of the year. It is in this second step that I add the actual radiation. In the the first step I just gather information on the geometry and properties of the various surfaces.
Sun paths. No, i don't. See point 1
Include reflection from buildings? Not at the moment, but I plan to include it as an overall diffuse shortwave reflection based on sky view factor. I consider only shortwave reflection from the ground now.
Include heat dissipation from buildings? Absolutely yes. That is the reason why I wrote this code myself. Here in Dubai this is key as building surfaces gets very, very hot.
Surfaces albedo? Yes, I do. In Skethcup I have associated a dictionary to every surface and in this dictionary I include all the surface properties: temperature, emissivity, etc.. At the moment the temperatures are fixed (ambient temperature if not assigned), but I plan, in the future, to combine this with the results from a building dynamic thermal simulation that already calculates all the surfaces temperatures.
Map resolution. The resolution is chosen by the user and the mesh generated by the algorithm. In terms of scale, I use this for masterplans. The scale goes from 100mx100m up to 2000mx2000m. I usually tend to use a minimum resolution of 2m. The limit is the memory and the simulation time. I also have the option to refine specific areas with a much finer mesh: for example areas where there are restaurants or other amenities.
Framerate. I do not need to make an animation. Results are exported in a VTK file and visualized in Paraview and animated there just to show off during presentations :-)
Heat and light. Yes. Shortwave and longwave are handled separately. See point 4. The geolocalization is only used to select the correct weather file. I do not calculate all the radiation components. The weather files I need have measured data. They are not great, but good enough for now.
https://www.lucidchart.com/documents/view/5ca88b92-9a21-40a8-aa3a-0ff7a5968142/0
visible light
for relatively flat global base ground light map I would use projection shadow texture techniques instead of ray tracing angular integration. It is way faster with almost the same result. This will not work on non flat grounds (many bigger bumps which cast bigger shadows and also change active light absorbtion area to anisotropic). Urban areas are usually flat enough (inclination does not matter) so the technique is as follows:
camera and viewport
the ground map is a target screen so set the viewpoint to underground looking towards Sun direction upwards. Resolution is at least your map resolution and there is no perspective projection.
rendering light map 1st pass
first clear map with the full radiation (direct+diffuse) (light blue) then render buildings/objects but with diffuse radiation only (shadow). This will make the base map without reflections and or soft shadows in the Magenta rendering target
rendering light map 2nd pass
now you need to add building faces (walls) reflections for that I would take every outdoor face of the building facing Sun or heated enough and compute reflection points onto light map and render reflection directly to map
in tis parts you can add ray tracing for vertexes only to make it more precise and also for including multiple reflections (bu in that case do not forget to add scattering)
project target screen to destination radiation map
just project the Magenta rendering target image to ground plane (green). It is only simple linear affine transform ...
post processing
you can add soft shadows by blurring/smoothing the light map. To make it more precise you can add info to each pixel if it is shadow or wall. Actual walls are just pixels that are at 0m height above ground so you can use Z-buffer values directly for this. Level of blurring depends on the scattering properties of the air and of coarse pixels at 0m ground height are not blurred at all
IR
this can be done in similar way but temperature behaves a bit differently so I would make several layers of the scene in few altitudes above ground forming a volume render and then post process the energy transfers between pixels and layers. Also do not forget to add the cooling effect of green plants and water vaporisation.
I do not have enough experience in this field to make more suggestions I am more used to temperature maps for very high temperature variances in specific conditions and material not the outdoor conditions.
PS. I forgot albedo for IR and visible light is very different for many materials especially aluminium and some wall paintings

Is it better to use a single texture or multiple textures for a YUV image

This question is for OpenGL ES 2.0 (on Android) but may be more general to OpenGL.
Ultimately all performance questions are implementation-dependent, but if anyone can answer this question in general or based on their experience that would be helpful. I'm writing some test code as well.
I have a YUV (12bpp) image I'm loading into a texture and color-converting in my fragment shader. Everything works fine but I'd like to see where I can improve performance (in terms of frames per second).
Currently I'm actually loading three textures for each image - one for the Y component (of type GL_LUMINANCE), one for the U component (of type GL_LUMINANCE and of course 1/4 the size of the Y component), and one for the V component (of type GL_LUMINANCE and of course 1/4 the size of the Y component).
Assuming I can get the YUV pixels in any arrangement (e.g. the U and V in separate planes or interspersed), would it be better to consolidate the three textures into only two or only one? Obviously it's the same number of bytes to push to the GPU no matter how you do it, but maybe with fewer textures there would be less overhead. At the very least, it would use fewer texture units. My ideas:
If the U and V pixels were interspersed with each other, I could load them in a single texture of type GL_LUMINANCE_ALPHA which has two components.
I could load the entire YUV image as a single texture (of type GL_LUMINANCE but 3/2 the size of the image) and then in the fragment shader I could call texture2D() three times on the same texture, doing a bit of arithmetic figure out the correct co-ordinates to pass to texture2D to get the correct texture co-ordinates for the Y, U and V components.
I would combine the data into as few textures as possible. Fewer textures is usually a better option for a few reasons.
Fewer state changes to setup the draw call.
The fewer texture fetches in a fragment shader the better.
Less upload time.
Sources:
I understand some of these are focused on more specific hardware, but the principles apply to most Mobile graphics architectures.
Best Practices for Working with Texture Data
Optimize OpenGL for Tegra
Optimizing performance of a heavy fragment shader
"Binding to a texture takes time for OpenGL ES to process. Apps that reduce the number of changes they make to OpenGL ES state perform better. "
"In my experience mobile GPU performance is roughly proportional to the number of texture2D calls." "There are two texture loads, so the minimum cycle count for the texture sub-unit is two." (Tegra has a texture unit which has to run a cycle for reach texture read)
"making calls to the glTexSubImage and glCopyTexSubImage functions particularly expensive" - upload operations must stall the pipeline until textures are uploaded. It is faster to batch these into a single upload than block a bunch of separate times.

Rendering realistic electric lightning using OpenGl

I'm implementing a simple lightning effect for my 3D game, something like this:
http://www.krazydad.com/bestiary/bestiary_lightning.html
I'm using opengl ES 2.0. I'm pondering what the best looking and most performance efficient way to render this in a 3D environment is though, as the lines making up the electric bolt needs to be looking "solid" when viewed from any angle.
I was thinking to generate two planes for each line segment, in an X cross to create an effect of line thickness. Rendering by disabling depth buffer writes, using some kind off additive blending mode. Texturing each line segment using an electric looking texture with an alpha channel.
I'm a bit worried about the performance hit from generating the necessary triangle lists using this method though, as my game will potentially have a lot of lightning bolts generated at the same time. But as the length and thickness of the lightning bolts will vary a lot, I doubt it would look good to simply use an animated 3D object of an lightning bolt, stretched and pointing to the right location, which was my initial idea.
I was thinking of an alternative approach where I render the lightning bolts using 2D lines between projected end points in a post processing pass. That should work well since the perspective effect in my case is negligible, except then it would be tricky to have the lines appear behind occluding objects.
Any good ideas on the best approach here?
Edit: I found this white paper from nVidia:
http://developer.download.nvidia.com/SDK/10/direct3d/Source/Lightning/doc/lightning_doc.pdf
Which uses an approach with having billboards for each line segment, then apply some filtering to smooth the resulting gaps and overlaps from each billboard.
Seems to yield pretty good visual results, however I am not too happy about the additional filtering pass as the game is for mobile phones where such a step is quite costly. And, as it turns out, billboarding is quite CPU expensive too, due to the additional matrix calculation overhead, which is slow on mobile devices.
I ended up doing something like the nVidia paper suggested, but to prevent the need for a postprocessing step I used different kind of textures for different kind of branching angles, to avoid gaps and overlaps of the segment corners, which turned out quite well. And to avoid the expensive billboard matrix calculation I instead drew the line segments using a more 2D approach, but calculating the depth value manually for each vertex in the segments. This yields both acceptable performance and visuals.
An animated texture, possibly powered by a shader, is likely the fastest way to handle this.
Any geometry generation and rendering will limit the quality of the effect, and may take significantly more CPU time, memory bandwidth and draw calls.
Using a single animated texture on a quad, or a shader creating procedural lightning, will give constant speed and make the effect much simpler to implement. For that, this question may be of interest.

Tackling alpha blend in OpenGL for better performance

Since having blends is hitting perfomance of our game, we tried several blending strategies for creating the "illusion" of blending. One of them is drawing a sprite every odd frame, resulting in the sprite being visible half of the time. The effect is quit good. (You'd need a proper frame rate by the way, else your sprite would be noticeably flickering)
Despite that, I would like to know if there are any good insights out there in avoiding blending in order to better the overal performance without compromising (too much) of the visual experience.
Is it the actual blending that's killing your performance? (i.e. video memory bandwidth)
What games commonly do these days to handle lots of alpha blended stuff (think large explosions that cover whole screen): render them into a smaller texture (e.g. 2x2 smaller or 4x4 smaller than screen), and composite them back onto the main screen.
Doing that might require rendering depth buffer of opaque surfaces into that smaller texture as well, to properly handle intersections with opaque geometry. On some platforms (consoles) doing multisampling or depth buffer hackery might make that a very cheap operation; no such luck on regular PC though.
See article from GPU Gems 3 for example: High-Speed, Off-Screen Particles. Christer Ericson's blog post overviews a lot of optimization approaches as well: Optimizing the rendering of a particle system
Excellent article here about rendering particle systems quickly. It covers the smaller off screen buffer technique and suggest quite a few other approaches.
You can read it here
It is not quite clear from your question what kind of application of blending hits your game's performance. Generally blending is blazingly fast. If your problems are particle system related, then what is most likely to kill framerate is the number and size of particles drawn. Particularly lots of close up (and therefore large) particles will require high memory bandwidth and fill rate of the graphics card. I have implemented a particle system myself, and while I can render tons of particles in the distance, I feel the negative impact of e.g. flying through smoke (that will fill the entire screen because the viewer is amidst of it) very much on weaker hardware.

Resources